Günes Sensoy, Ayberk Pekcan, Suzanne Marrot
Sweet, poetic Mustang has been called the Turkish Virgin Suicides, and there’s good reason. They’re both female-directed movies about exactly five sisters locked up by their oppressive guardians. In both stories, female sexual awakening is seen as evil.
However, foreign-language Mustang has some differences: a real sense of time and place and a level of compassion. Its Turkish setting – along with the sexual politic, the pro-feminist critique, and the subtle religious despotism – is both beguiling and infuriating. The sisters support each other, come to sexual fruition, and individually negotiate their confinement; they are the real draw here.
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