Taron Egerton, Hugh Jackman
There aren’t any surprises in the Olympic biopic Eddie the Eagle. In fact, “Eddie” Edwards’ story – as it’s slightly modified from fact here – plays a lot like Cool Runnings, in more ways than one. It’s the ’88 Winter Olympics, and champions who never really had a chance somehow capture the audience’s admiration of the underdog. The world falls in love.
Within its rote plot, Eddie does a nice job of aping ‘80s “glory” pics, with a synthesized soundtrack, loopy camera shots, typical plots, and broad characters that would’ve felt perfectly comfortable in 1988. If audiences know that this sort of long-shot athletic story is what’s being sold, they’re going to love what they buy.
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