2017 LGBTQ Pop Culture Alphabet

By : Jeremy Williams
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It was the year of #MeToo, as this one story seemed to dominate the pop culture landscape of 2017. Victims came out saying “enough is enough” and called out their attackers and predators by name.

It was also a year of important stories being told on television and in films. We honored the voices of women, people of color and the LGBTQ community in movies like Moonlight and The Life and Death of Marsha P. Johnson, and on shows like When We Rise and Master of None. Plus we got Will & Grace back!

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Trans filmmaker claims Marsha P. Johnson doc director stole her work

By : MARIAH COOPER OF THE WASHINGTON BLADE, COURTESY OF THE NATIONAL LGBT MEDIA ASSOCIATION
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Transgender filmmaker and researcher Reina Gossett has accused “The Death and Life of Marsha P. Johnson” director David France of stealing her idea for the documentary.

The film, which is streaming on Netflix, examines Johnson’s involvement in the Stonewall riots, her transgender activism, and mysterious death. Gossett, who is an activist-in-residence at the Barnard College Center for Research on Women’s Social Justice Institute, worked on the short film “Happy Birthday, Marsha!” with Sasha Wortzel.

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Netflix acquires transgender activist Marsha P. Johnson documentary

By : Mariah Cooper OF THE WASHINGTON BLADE, COURTESY OF THE NATIONAL GAY MEDIA ASSOCIATION
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Netflix has picked up the worldwide rights to David France’s documentary, “The Life and Death of Marsha P. Johnson,” Variety reports.

Johnson played a pivotal role as one of the first people to fight back in the Stonewall Riots in 1969, along with Sylvia Rivera. In 1970, the pair would found the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). Johnson’s body was found floating in New York’s Hudson River in 1992 and ruled a suicide by investigators.

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Screened Out – Stonewall

By : Stephen Miller
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Jeremy Irvine, Jonny Beauchamp, Jonathan Rhys Meyer, Ron Perlman, Otoja Obit, Ron Perlman

The Stonewall Riots of 1969 are such a seminal moment in LGBT rights. So, it’s frustrating – and even insulting – to see the center of this film be compromised with dull, melodramatic fictions.

The phrase “melodramatic fictions” is the key to everything wrong with Stonewall. The events were only 46 years ago – people who were there are still alive and able to tell their stories. Yet, this main plot here is artificial, inaccurate, shallow, drippy, meandering, and histrionic. I am flummoxed as to why the filmmakers couldn’t have interviewed a few people – or picked up a book – to introduce a real story!

I hated this on so many levels, and I wanted to support it – or any film that takes on our struggles for equal rights. After seeing this flick, I believe people who know the history will find Stonewall offensive and disturbing. Audiences who don’t know about that New York City summer won’t find the movie’s overly dramatic characters at all intriguing, engaging, or sympathetic. Until the actual riots in the last part, the film is boring.

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